With her mother dead of the plague, and her beloved brother newly married and moved away, Cornelia van Rijn finds herself without a friend or confidante—save her difficult father. Out of favor with Amsterdam’s elite, and considered brash and unreasonable by his patrons, Rembrandt van Rijn, once revered, is now teetering on the brink of madness. Cornelia alone must care for him, though she herself is haunted by secrets and scandal. Her only happiness comes in chance meetings with Carel, the son of a wealthy shipping magnate whose passion for art stirs Cornelia. And then there is Neel, her father’s last remaining pupil, whose steadfast devotion to Rembrandt both baffles and touches her. Based on historical fact, and filled with family dramas and a love triangle that would make Jane Austen proud, I Am Rembrandt’s Daughter is a powerful account of a young woman’s struggle to come of age within the shadow of one of the world’s most brilliant and complicated artists.
Well, yes, the history is good. I have a penchant for historical fiction set in this time period. And I do think the story line is historically feasible and accurate. It’s very telling, and does show how one can triumph, in a way, over adversity and that the future doesn’t have to be what others would make for you.
However, I felt like this book trudged. And trudged. Parts of it felt like a teen romance novel—where you find yourself thinking “oh, get to the point already!”
Tuesday, February 19, 2008
The New Policeman, by Kate Thompson
Who knows where the time goes? There never seems to be enough time in Kinvara, or anywhere else in Ireland for that matter. When J.J.'s mother says that what she really wants for her birthday is more time in her day, J.J. decides to find her some. But how can he find time for her, when he barely has enough time to keep up with school and his music? And where will he get time to find out if the shocking rumor is true-that his great-grandfather was a murderer?
It seems as though J.J.'s given himself an impossible task. But then a neighbor reveals a secret to him-there is a place where time stands still. J.J. realizes he's the only person who can make the journey, but to do so he'll have to vanish from his own life.
And when J.J. disappears from the village, enter the new policeman. . . .
Oh..I got so lost in this story, and not in the good way. I get it..there’s the “real” world (the modern world), and there’s the fairy world and somehow they two have crossed. It’s just all over the place otherwise. The flow I expect in a good story is completely lost on me. The premise is original and good—“where does time go?”—I just think the handling is poor.
It seems as though J.J.'s given himself an impossible task. But then a neighbor reveals a secret to him-there is a place where time stands still. J.J. realizes he's the only person who can make the journey, but to do so he'll have to vanish from his own life.
And when J.J. disappears from the village, enter the new policeman. . . .
Oh..I got so lost in this story, and not in the good way. I get it..there’s the “real” world (the modern world), and there’s the fairy world and somehow they two have crossed. It’s just all over the place otherwise. The flow I expect in a good story is completely lost on me. The premise is original and good—“where does time go?”—I just think the handling is poor.
Wildwood Dancing, by Julie Marillier
High in the Transylvanian woods, at the castle Piscul Draculi, live five daughters and their doting father. It's an idyllic life for Jena, the second eldest, who spends her time exploring the mysterious forest with her constant companion, a most unusual frog. But best by far is the castle's hidden portal, known only to the sisters. Every Full Moon, they alone can pass through it into the enchanted world of the Other Kingdom. There they dance through the night with the fey creatures of this magical realm.But their peace is shattered when Father falls ill and must go to the southern parts to recover, for that is when cousin Cezar arrives. Though he's there to help the girls survive the brutal winter, Jena suspects he has darker motives in store. Meanwhile, Jena's sister has fallen in love with a dangerous creature of the Other Kingdom--an impossible union it's up to Jena to stop.
When Cezar's grip of power begins to tighten, at stake is everything Jena loves: her home, her family, and the Other Kingdom she has come to cherish. To save her world, Jena will be tested in ways she can't imagine--tests of trust, strength, and true love.
It’s a wonderful “lose yourself in the story” story. Beautiful imagery, rich story line. Lots of light and dark imagery and mystery. I just felt like it wrapped up too neatly—and that’s knowing that, to an extent, fantasy should.
When Cezar's grip of power begins to tighten, at stake is everything Jena loves: her home, her family, and the Other Kingdom she has come to cherish. To save her world, Jena will be tested in ways she can't imagine--tests of trust, strength, and true love.
It’s a wonderful “lose yourself in the story” story. Beautiful imagery, rich story line. Lots of light and dark imagery and mystery. I just felt like it wrapped up too neatly—and that’s knowing that, to an extent, fantasy should.
Right Behind You, by Gail Giles
When he was nine, Kip set another child on fire. Now, after years in a juvenile ward, he is ready for a fresh start. But the ghosts of his past soon demand justice, and he must reveal his painful secret. How can Kip tell anyone that he really is--or was--a murderer?
Ok..I love Giles’ books. And SOOO many of my kiddos fight for her books—to read over and over again. Having been a high school teacher, she obviously knows that to write to hook readers of every sort.
And I loved this book. I read it in a day, less really. Giles’ books are always good for the reluctant reader, they don’t take long to get through AND you don’t want to put them down. Her characters are real, her settings are REAL, the things going on inside the heads of even the characters who are secondary—but I gotta tell you, few of these characters were REALLY secondary.
The only thing that got me? There was hope at the end—freakin’ hope! What’s that about???
Ok..I love Giles’ books. And SOOO many of my kiddos fight for her books—to read over and over again. Having been a high school teacher, she obviously knows that to write to hook readers of every sort.
And I loved this book. I read it in a day, less really. Giles’ books are always good for the reluctant reader, they don’t take long to get through AND you don’t want to put them down. Her characters are real, her settings are REAL, the things going on inside the heads of even the characters who are secondary—but I gotta tell you, few of these characters were REALLY secondary.
The only thing that got me? There was hope at the end—freakin’ hope! What’s that about???
Ordinary Ghosts, by Eireann Corrigan
Emil's brother isn't dead. Just gone. It's his mom who's dead, and his dad who's checked out completely. Emil's alone. Not in a teary-eyed, starving-orphan way. Just alone. As in: nobody to talk to, nothing to do.
Then he finds the key. Not a metaphorical the solution to loneliness was within me all along! key. No, a real key. A key that opens every single door in the elite prep school that Emil's forced to attend. Suddenly, Emil doesn't mind so much the he's a nonentities are much harder to pin down.
Soon, he's sneaking into the school at night to explore -- and falling for a girl who sneaks in for reasons of her own. The keeper of the key is supposed to be legendary but Emil will settle for barely coherent. He's spent a whole of his life dealing with disappearances. Now he has to see what it takes to make things stay.
I wanted Emil to DO more. I realize that this wasn’t central to the story. That the bigger issue was figuring out who he was now that his life was flipped upside down. And discovering who the people in his life really were. Beautiful coming of age and age of discovery story (I don’t think those 2 concepts are the same). Emil’s just an average kid dealing with what is, sadly (because of what it says about our society), an average existence. That’s what makes him so attractive as a character—he’s not any more special than you or I, and he’s dealing with the terms life has given him, the best way he knows how when he’s got little to direct him.
Then he finds the key. Not a metaphorical the solution to loneliness was within me all along! key. No, a real key. A key that opens every single door in the elite prep school that Emil's forced to attend. Suddenly, Emil doesn't mind so much the he's a nonentities are much harder to pin down.
Soon, he's sneaking into the school at night to explore -- and falling for a girl who sneaks in for reasons of her own. The keeper of the key is supposed to be legendary but Emil will settle for barely coherent. He's spent a whole of his life dealing with disappearances. Now he has to see what it takes to make things stay.
I wanted Emil to DO more. I realize that this wasn’t central to the story. That the bigger issue was figuring out who he was now that his life was flipped upside down. And discovering who the people in his life really were. Beautiful coming of age and age of discovery story (I don’t think those 2 concepts are the same). Emil’s just an average kid dealing with what is, sadly (because of what it says about our society), an average existence. That’s what makes him so attractive as a character—he’s not any more special than you or I, and he’s dealing with the terms life has given him, the best way he knows how when he’s got little to direct him.
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